ARCHITECTURE
UNIVERSITY OF BRITISH COLUMBIA
UNIVERSITY OF BRITISH COLUMBIA
{ART}ITECTURE
We were tasked with designing a private residence for Vancouver artist, Rodney Graham. Inspired by the cubic minimalism of visual artist, Donald Judd, Graham equates text with the production of meaning. And so, in the design of his vacation home, having profound appreciation for the contribution of a psycho-spatial tabula rasa in the generation of creative work, I drew inspiration from the 19th & 20th century books Graham turned into sculptural objects, specifically his famous sculpture: Standard Edition.
This resident's massing began with stacking of 'hardcover books': rectilinear concrete covers rotating about the Z-axis to yield private, yet interconnected spaces. Within these enclosed spaces, the stories of Rodney's life is told, and the inner life can only be understood from the paper-edge thresholds represented in the building by glazing. But although in Standard Edition it is the thickness of each volume that determines progression of empty spaces, within this house it is the programme of each individual space that determines dimensions:
This resident's massing began with stacking of 'hardcover books': rectilinear concrete covers rotating about the Z-axis to yield private, yet interconnected spaces. Within these enclosed spaces, the stories of Rodney's life is told, and the inner life can only be understood from the paper-edge thresholds represented in the building by glazing. But although in Standard Edition it is the thickness of each volume that determines progression of empty spaces, within this house it is the programme of each individual space that determines dimensions:
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CUBICAL LATTICE
I aimed to generate space by manipulating form unconstrained by function. I experimented with a crossword puzzle, devising a simple formula to catalyze a 3D rendition of a 2D object. I assigned an extrusion factor of 1 per square. For example, a row of 5 squares would yield a 5-meter-high wall along its axis, corresponding to a 5-letter word on the planar grid. I determined that the intersection of X-Y axes would be subtractive in nature. As a result, the generated form not only varies in elevation as dictated by its plan but all the interstitial spaces connect in peculiar ways along 3 axes, yielding fascinating forms that inform function.
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PROGRESSIVE SECTIONSThe following progressive gallery provides insight into the intersection of vertical extrusions along the X-Y axes, and how their amalgamation yields surfaces. Some of these spaces are interconnected as directed by the original plan of the crossword, while others are enclosed, corresponding to blacked out blocks. The height of the generated spaces is proportional to their square footage, which is dictated by intrusions of black blocks. This planar relationship, once translated into a 3D structure yields varied and beautifully natural proportions.
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ECHELON
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This complex is designed to generate a hierarchy of interstitial spaces which vary in scale, location & orientation. Their ambiguity aims to encourage occupants to apply their own program onto the tabula rasa. The open spaces range from smaller, private balconies, to semi-private spaces shared b/w multiple units to larger spaces accessible to the entire floor plate, & these neighbourly interactions create a variety of micro-communities in the larger context of the building.
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1111 MELVILLE
How does one reinvigorate a dark, neglected courtyard shared by multiple commercial buildings in Downtown Vancouver's busy business district? How does one accommodate the odd, triangular shape of the site whilst taking circulation, light, ventilation and function into consideration? That was our task for 1111 Melville Street -- one small, peculiar site: countless fascinating renditions.
LIGHT ANALYSISThe following is a composite of 16 models, each of which corresponds to its respective daytime quadrant (9am, noon, 3pm, 6pm) for all 4 seasons. The separate models were combined to yield a 3-Dimensional representation of natural light exposure within the site. The model on the right (plugged into our site) represents the variance of light exposure as dictated by surrounding buildings, limited by the sun's seasonal arc across the sky. We were able to calibrate our designs to best incorporate natural lighting, thereby reducing electrical demands and excessive solar gains.
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DESIGN PROPOSAL
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